Writing spaces – ideal and real

In an ideal world, my writing space would be in a room overlooking craggy cliffs.

The floor to ceiling windows would open out to the sea, where I’d watch the ever-changing weather roll in and the waves crash against the rocks. I’d be inspired by the power of nature, the wild and moody weather.

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Unfortunately named “Suicide Cliffs” in Okinawa

The room itself would be plain and white, with no distractions besides my computer and my creativity.

Imagine the science-fiction I could write from this room…

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Or something monastic.

Perhaps my latent historical fiction would come to life here.

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Mount Grace Priory, Yorkshire

But in reality, my writing space is like this.

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Messy yet functional, surrounded by books and CDs (yes, Gen X), post-it notes, a thesaurus, water, a comfy op-shop chair, story outlines and writing structure reminders.

My only mandatory items are the laptop and the headphones. I wrote the first drafts of Return to the Monolith while my house was under renovations, from the kitchen counter (with headphones on blocking out the noise of power tools) or the local library. I found I could write anywhere.

So the ideal writing space is not necessary for writing but it’s nice to dream.

What’s your ideal writing space?

 

 

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Recent Reads – Europe in Autumn

Why did I love Europe in Autumn by Dave Hutchinson so much?

The book is a spy thriller set slightly in the future, in a time when the countries of Europe is dissolving. Every man and his dog is seceding, setting up their own principality. Borders are a bureaucratic nightmare and black marketeers are taking advantage of the chaos.

The hero is Rudi, an Estonian chef turned courier, who gets deeper and deeper into the murky world of espionage.

The book is in four parts following Rudi from his first gig until the point when it all goes wrong. It is almost like four novellas, pieced together eventually. The middle section with Rudi’s family in Estonia seems out of step at first until more details are revealed. I adored the excerpt from the map-making of Whitton-Whyte and the twist delighted this little sci-fi fan.

Why did I enjoy this book so much?

Perhaps it was the mix of vivid characters; the burly Hungarians, the obnoxious mentor Fabio, Rudi’s bizarrely robotic English captors, the grumpy crusty Pawel. The characters were well rounded and real.

Perhaps it was the slight weirdness of the world. Quite similar to our own, yet with minor technological and geo-political differences.It was familiar and yet intriguing. There was little time spent world building, the story jumps right in and explains the world as we go. Yet there are enough odd little details to remind the reader that this is not your ordinary Tom Clancy thriller.

Perhaps it was the wry English humour. The dialogue was sharp and believable. I chuckled out aloud a number of times.

Plus a cracking plot.

Let’s just say, I really liked this book.

But the topic of genre provoked the most thought for me. This is classified as a science fiction novel – which it is. The world is futuristic, but only looking a few years into a possible future. I was so curious about the genre of this novel, I contacted the author. I had a nice conversation with Dave Hutchinson over Twitter regarding the genre classification of this book. Hutchinson describes it as a “near-future espionage thriller”. This is a very apt description.

I struggle with the “science fiction” label because it brings to mind aliens and spaceships. My own writing is in a similar vein to Hutchinson’s – a different world not too dissimilar to our own. Is speculative fiction a better description or “fantastika” as Hutchinson offered? Yet, your average punter doesn’t use the expression ‘speculative fiction’. When I look at the categories for sci-fi in Amazon, the only vaguely applicable are “dystopian” and “post-apocalyptic” but my own writing and a book like Europe in Autumn does not fit with the other zombie invasion novels.

Anyway less about me and more about Europe in Autumn. If you like a well built near-future world with espionage, great characters and good writing, I recommend you take a look at Europe in Autumn.

I’m off to read the sequel…when I’ve finished The Wise Man’s Fear.

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