How I “finished” – Tip #5 Craft Work

Craft work

Not the German electro band, in order to improve my craft, I sought wisdom from writing gurus. Tips and advice on how to be a better writer, storyteller and editor.

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Over the past two years, my three main reference points have been

Story and Stein on Writing are available as audio books and the Story Grid is now a podcast.

I’ve listened to the audio over and over again, revisiting different sections as I need for wherever I’m up to in my writing. I heartily recommend all three.

What are your writing references?

Tomorrow – Tip#6 Loading my Tool Box

 

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How I “finished” my novel – 8 tips in 8 days

My manuscript “Return to the Monolith” is now in line editing. Hoorah! Eek. This means I’m done.

Disclaimer – I am “finished” for now. I don’t have an agent or publisher and I’d be naive to think there’ll be no more changes until the book appears in print.

Being “finished” is a peculiar feeling. I sat for ten minutes with my finger hovering over the send button, debating with myself. Am I really done? Is this it? Strange.

Anyway, it’s time to look back on two years of work and think about what I’ve learned.

This is the first in a series outlining what helped me to “finish”. I’ve come up with eight little helpers.

Over the next eight days, I’ll share eight tips.

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There’ll be a lot of you Nanowrimo-ans out there, with a big lump of words, wondering how to take your draft to the next stage. I hope this might help.

Tomorrow – Tip#1 : Discipline is not a dirty word..

Recent reads – The Profession by Steven Pressfield

Since listening to Shawn Coyne on The Creative Penn podcast, I’ve been obsessed with the Story Grid – advice for editing novels.

The Story Grid (book soon to be released) is a story design system and a step-by-step process for analysing and improving your writing. It teaches you to be your own editor. Definitely one for process-minded, plotter, spreadsheet nerds like me.

Shawn Coyne works closely with Steven Pressfield (of War of Art, which I blogged about in my recent post on Kicking Resistance in the nuts) and one of my recent completed reads was Steven Pressfield’s The Profession. While reading, I had one eye firmly on the Story Grid system, looking for the tips and structure outlined by Coyne. Luckily, The Profession is also a cracking read.

The Profession is set in the near future, following the story of Gent, a soldier for hire. The Middle East is a mess of corporations, tribal war lords and nation-states, all vying for supremacy and protecting their interests by hiring mercenaries. Gent, after years of warfare and campaigns, knows no other life.

I am a warrior. What I narrate in these pages is between me and other warriors. I will say things only they will credit and only they understand.

Gent works for a disgraced US General, Salter. His devotion to Salter is absolute. He loves this man and unquestioning, follows this man into anything.

Now, on the face of it, this is a book for blokes. It’s a geo-political thriller with gun fights and machinations, warriors and mercenaries and there’s a lot of gear porn in it. Loads of description about guns and bombs and helicopters. Information I skipped over.

Yet underneath the testosterone, there is something epic about this story, something mythic. I’m no historical scholar and Pressfield’s other works include Roman historical novels,  but there was something familiar about the tale of Gent and his loyalty to Salter. It resonated. Is it based on a myth or is it completely original? I’m not sure and I don’t care. Richer than your average thriller, I was moved by Gent’s anguish as he faces the tests of his love and devotion to Salter and choosing right from wrong. It felt bigger than just blowing stuff up.

Back to the Story Grid, I flicked backwards and forwards between reading this for pleasure and looking for the elements of the Grid in it. One of the key elements of the Story Grid is internal and external value at stake. Although I was looking for the structure through out the book, this was a great example of the battle between the main character’s internal and external values. How the character changes through the story and how inner conflict and external conflict play out.

I recommend The Profession for an intelligent, fast paced read (and for writers, I recommend the Story Grid.)

Inspiration – indigenous people and the power of storytelling

My novel in progress, Return to the Monolith, has a plot line about indigenous people being forced off their tribal lands and ostracised. It also raises how colonials have ignored and discredited the wisdom of indigenous people. Their wisdom and knowledge of the land honed through thousands of years of living in the landscape

This week I saw this news story from ABC about scientists verifying the myths of the Aboriginal people explaining how palm trees got to Central Australia. This story has been handed down through generations for possibly 30,000 years. The power of storytelling?

The researcher mentions how science can learn from the knowledge of indigenous people. The researcher goes further to suggest that more Aboriginal myths, including those about mega fauna (and how I love my mega fauna!) should be analysed further for factual information.

Let’s hope there is more of this collaboration between indigenous people and scientists to share their knowledge. Science does not always know best.